Brief Thoughts of the 2018 Line-Ups of Weekly Shonen Magazine

With my rom-com post of Weekly Shonen Magazine being one of my biggest surprise for my blog, I decided to share my thoughts on the new series introduced to the lineup for the first 6 months.

To the surprise of the English speaking community that is aware of any manga magazine outside of Weekly Shonen Jump, the rom-com invasion surprisingly paid off with only one of the rom-com (the RPG witch) getting axed due to being the only one that didn’t have a (technically) real-life rom-com as a setting, while the new serializations of 2017 (including non rom-coms like Revengers & Runway) that survived ended up having the commercial appeal to be placed at the Top 50 Oricon Sales for at least one week.

The biggest success story for the line-up: Haruba Negi’s Go-Toubun No Hanayome (or should I say The Quintessential Quintuplets), where the readers are charmed with the simple idea of the Japanese same face syndrome used in a so simple its unique way (and potentially marketable if America or Israel somehow took hold of it), a strong main cast with a solid storyline (for now) and garned a lot of attention from 4chan, Reddit and other international manga websites that Kodansha give it the green light for it to be licensed in English digitally just under a year of serialization. Congratulations Negi as 4chan can now memorize your name.

https://kodanshacomics.com/volume/the-quintessential-quintuplets-1/

Overall, a great track record for magazine right now and can be argued that it is the strongest lineup in the magazine right now, as they are in a period where not only they snatched & maintained, mangakas with promising potential (veterans and newbies which includes Mashima himself), enable the mangakas to finish their work without having to rush for an ending and most importantly, got their series selling well, which is the most important thing.

P.S: I didn’t say that it is the best when it comes to story quality, since there are still too many rom coms in the lineup & one of them includes Reihi Miyajima’s Kanojo, Okarishimasu (who everybody & their grandmothers love to hate-read and nobody is hit by a truck yet) and Kouji & Mashima aren’t the mangakas where the English speaking community are in the rage about.

Without further ado, the current serializations of 2018 along with my thoughts on these series. Warning, spoilers ahead.

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